Top 15 SLR cameras

This camera clearly demonstrates that being a photo amateur is not cheap if you pretend to any level of professionalism. Starting from shooting in JPEG in auto mode, you may be disappointed, but it is worth switching to RAW and carefully reading the instructions how the camera starts to play with new colors: low noise even at ISO 3200 sensitivity, smart autofocus, though sometimes giving errors. The whale version of the camera is the best SLR camera for beginners and an excellent ticket to professional photography, the speed of the D5300 makes it possible even with high probability to get successful fast frames offhand (not like professional reportage cameras, but still).

The maximum standard ISO number of the matrix with a crop factor of 1.5 - 3200, but fans of experiments can squeeze out all 25600 from the camera if they put up with noise.With such a matrix size of 24.2 million effective pixels guarantee good image detail.

In the spirit of modernity, Wi-Fi support was added to the camera for fast photo transfer, a GPS module for adding geotagging. Not the most necessary things, but can be useful. A folding rear display with a variable rotation angle makes it easier to take pictures from awkward positions.

The “two thousand” model has been on the market for more than a year and, frankly, directly shows that Canon is paying minimal attention to the “ultra-low” segment of SLR cameras. You must admit that the DIGIC 4+ processor, which appeared five years ago on the compact cameras IXUS / SX, and was used in the SLRs as early as 1300D, is not the most interesting option in terms of features. But at least here a metal bayonet finally appeared, the screen has grown to three inches with a resolution of 0.92 megapixels (although again we’re surfing - the same resolution was placed on the EOS 500D ten years ago!), And the diopter adjustment was installed on the viewfinder . Well, finally, they returned a separate switch instead of having to constantly turn the mode selector back and forth, as in the previous “four-digit” EOS. And NFC was added to Wi-Fi for quick pairing with a smartphone - moreover, if earlier in this line a smartphone was needed even for remote descent, then here you can already connect RS-60E3 cable.

But, nevertheless, there is no central sync contact on the hot shoe, the battery and the memory card are for some reason tucked under a common cover, autonomy is within 500 frames (three times less than that of the D3500), the lack of an auto-cleaning matrix ... Simply put, The camera is virtually inferior to even nine-year-old EOS 550D in almost all points, which will cost a maximum of 10 thousand on the secondary market with an acceptable mileage. So, no matter how much the author loves Canon, let's be honest - it is better to add money to the same D3500 or buy a used camera.

The “junior” EOS doesn’t try to pretend to be a professional SLR camera - this is directly indicated by a simple whale lens and a wide choice of auto modes (up to “Food Photography”). The camera is very similar to its predecessor - 1200D, but noticeably freshened by the “stuffing”: the Digic 4 processor was changed to Digic 4+, the screen improved and Wi-Fi support with NFC was added in the spirit of the times.

The matrix here is absolutely the same as in the more expensive EOS 100D. If you do not chase the photosensitivity, you can easily get a good picture quality, in addition, the whale lens surprises with its autofocus speed. The distortion at the minimum focal length is minimal, so the camera is suitable for portrait shooting and photographing architectural monuments. Good and built-in photo filters. If the camera was shooting the series faster, and the series of shots themselves were longer ...

Nikon's 800D direct competitor also has its advantages. For example, the touch screen allows you to quickly select the autofocus point when working through the viewfinder: if you move your finger along the right side of the screen, the focus point in the viewfinder will switch accordingly. This is much faster than the "Kenon", although it is suitable only right-handers. Autonomy - 970 frames, which again, more than the EOS 800D.

The auto modes are diverse and work well, so when you first meet the camera there is less risk of spoiling the photo. Autofocus works quickly, but the camera definitely loses the EOS 800D - less cross-focus points and, what is most sad, there is no “dual pixel” matrix that provides high-quality and fast focusing when working with the screen. The camera also plays in serial shooting - a maximum of five frames per second, and then when RAW is cut to 12 bits, and for 6-7 frames the buffer is already full. In full quality, RAW is removed at a speed of no more than 3 frames per second - this is not enough for a full-fledged “reportage”, even when shooting in JPEG on a fast memory card after a couple of dozen frames, shooting will slow down for 1-2 seconds.

To summarize: the camera is definitely fully satisfy the beginner, and the professional will not be very upset. But due to the limited possibilities of serial shooting, Nikon’s versatility is still losing to a competitor from Canon, and the quality of the matrix is ​​still lower - at a comparable price, the camera goes to the second place in the rating.

In the rating of the best SLR cameras, this camera, which won the TIPA Best Enthusiast DSLR Camera award in 2018, literally jumped on the running board of the outgoing train: Canon has already introduced its replacement in the “face” of the EOS 250D, where among the innovations is support for 4K video - at least Canon has a serious step forward in the “advanced amateur” segment, which is indirectly related to the capabilities of the camera. But for now, let's talk about the “dvuhsotka” - it is already quite acceptable for the purchase of “overgrowth”, well, and the owner, without any special claims, will last for a long time.

A serious advantage of the camera is that it already uses a “dual pixel” matrix, which will allow using Live View with convenience. Another thing is that the main phase focusing here is cut down for the sake of price - only 9 points, but at least they are all crosswise. Here's the ergonomics of the country — a recessed mode selector, a “Video” mode switch combined with a power switch, and for some reason close the photo sensitivity button next to the DISP button behind the control wheel, which is not convenient.

On the other hand, a novice photographer, who may not even know what an ISO is, will appreciate the simplified DSLR interface (as on the 800D, you can switch it to “classic”), the ability to take a photo just by pointing at the touchscreen - “threshold of entry” smartphone is minimal. True, it is worth noting the best Russification of prompts: a professional will understand what it means to “reg. soon shutter to move. the objects looked static. ”but he just doesn’t need these tips!

As expected from a relatively inexpensive Crop-format SLR camera, the actual operating range of the ISO is too small: the noise becomes noticeable at ISO 800 just like nine years ago at the EOS 550D. However, both the sharpness of the image and the dynamic range have since become significantly better, so it cannot be said that in the lower segments, Canon is already marking time.

One of the most affordable SLR cameras with a full-frame sensor. The model is inferior to the 5D Mark III in resolution (20 megapixel), in terms of shooting speed (4.5 fps). Viewfinder coverage - 97%. Nevertheless, for a slow and thoughtful professional shooting, it is quite suitable. Nature, cityscape, studio portrait with excellent picture quality - all this is within the power of a photographer with a Canon EOS 6D. At the same time, the price is attractive for a novice professional or an advanced advanced amateur.

Autofocus does not like the amateur - he clearly only touches the central point, but an experienced photographer, who does not disdain manual focusing, will not even notice. The location of all the controls is convenient and logical - having managed to use the amateur "SLR", on the EOS 6D you will go without any problems.

The shutter works gently, at the level of professional technology. And the capacity of the built-in battery allows you to click on it for a very long time - if you need to take a lot of pictures, you will appreciate it. At the same time, the EOS 6D still remains one of the most compact SLR cameras with a full-frame matrix.

The platform’s age is reminiscent of the video at the level of the late 2000s: only FullHD at 30 frames per second. Alas, for the processor Digic 5 is the ceiling, and the added ability to transfer files and control over WiFi here is more like cosmetics.

Keeping quite compact dimensions, the camera is pleased with moisture protection and smart multimode autofocus - it is suitable for studio shooting, and for the open air. A full-size 24 megapixel matrix has a more than decent level of noise at high ISO values ​​- up to 3200 you can work without any fear. The D610 with a well-chosen set of lenses will allow you to feel like a reporter and photo artist, although in comparison with professional cameras there is not enough of the main thing - the shutter resource. But this is an inevitable retribution for the price, which professional cameras have already had six, and not five-digit ones.

The camera is a classic frame layout when its center is emphasized - this is where the autofocus points are concentrated. Playing with the composition of the frame, you will have to remember about manual focusing.

Although the SLR is not assembled in Japan (the only one of the full-frame "Nikonov"), the build quality cannot be faulted - everything is fine-tuned, it does not play and does not creak even in such hands where the camera seems like a toy. The main advantage of the camera over the previous model D600 is the improved dust protection at times, for which it is worth saying a special thank you.

This is what the D7500 DSLR certainly boasts, so this is a list of regalia, involuntarily causing associations with Brezhnev's tunic. Bend your fingers: TIPA Best APS-C Expert 2018, EPR Best Prosumer DSLR Camera 2017-2018, Midrange Camera of the Year 2017 from DPReview, Reddot Award 2018, IF Design Award 2018. But in this list you also noticed one weak side of the camera - yes, the matrix in it is “crooked”, therefore, having become TIPA laureates in the same year as the EOS 6D Mark II, it appeared in a lighter weight.

However, the D7500 is not so much a development of the previous one in the D7200 series, as much as the “simplification” of the more advanced D500. It is from there that the matrix is ​​inherited, and the ability to shoot up to 50 frames in length with a speed of 8 fps in the RAW series, and the metering sensor with 180,000 pixels. The display is now able to tilt, so that you can take pictures in Live View from the ground, while maintaining the convenience of cropping. Well, when working with the viewfinder, the 51-point autofocus is definitely useful.

Especially this SLR camera will interest video lovers - it supports full-fledged work in 4K at 30 fps, which the “Kenons” so far only give in the professional segment. Although, of course, the announced EOS 250D can shake the balance - but, given the positioning of the one in the “three-digit” series, it will obviously have to lose the D7500 in another.

The case is also deprived of a hint of magnesium alloy, which was at the D7200 - only high-impact plastic, about dust and moisture protection is not forgotten. In terms of ergonomics, there are no complaints, all controls are in place, and we especially note the convenience of changing the sensitivity without interrupting the viewfinder - the ISO button in the “right” place. Therefore, let's join the experts - among the “crooked” SLR cameras Nikon definitely offers the best now, and it deserves the status of a semi-professional.

Another mirror camera with a crop matrix - alas, Sony does not offer us a fullframe at a price of less than 100 thousand, and indeed the company has recently decided to focus on mirrorless systems.

However, the company takes their money for good reason: the Bionz X processor installed here allows you to work with 79 (!) Focus points, quickly digest RAW in the burst mode with maximum resolution, and is ready to work 0.86 seconds later after turning on the camera . Using a magnesium alloy, Sony engineers made the camera both lightweight and durable, which is important for the camera, which just asks to shoot the story literally on the run. Since, when working with RAW, you can shoot a series of up to 33 frames at maximum resolution, the camera really works fine for reportage work. If we add to this the speed of focusing with wide-angle lenses at 0.09 seconds ... can we forgive Sony a “crooked” matrix?

Even by the standards of the professional segment, the difference in price for EOS 1D X Mark II and D5 SLR cameras is palpable. How can this recoup the flagship model Nikon? Hmm ... With the same resolution of the D5 matrix, it is even slightly inferior in the rate of fire - the same 14 frames per second as Canon, it can issue only with mirror lock, and in the same mode, Canon already gives 16 fps. It seems to be a little bit, but for reportage photography, and this can play a role.

On the other hand, 153 autofocus points, of which 99 of the cross are a serious advantage over Canon, at least on paper. The central point remains operable at -4EV - the competitor only pulls up to -3EV. This is in the difficult conditions of shooting can already play its role much stronger than the lower speed of the series. But, it is worth going to the Live View, as again Canon goes forward, thanks to Dual Pixel, which is able to quickly focus on the point indicated by simply touching your finger.

But when shooting video, the EOS 1D X Mark II leads unequivocally - 4K it writes at 60 fps, while the D5 supports only 30 fps, which is not enough when shooting dynamic scenes. Exactly the same double break and when working in FullHD - Canon has a maximum of 120 frames per second, Nikon - 60.

But finally, the quality of the photo puts the point on i - although Nikon and the ISO ceiling are higher, but already the dynamic range (which is expected - for the sake of one you have to sacrifice the other). Yes, there is no doubt that the camera is good and fully corresponds to the status of a professional one - but you already understand why it is in this segment that Canon continues to hold first place stubbornly.

It would seem that more recently, he drooled at the announcement of the first EOS 5D in the magazine “Photo Making” ... and now the magazine is no longer there, and Mark IV is already on the shelves. And it is still capable of salivation: a beautiful full-size matrix with 30 million effective pixels, 41 cross-point autofocus. It's hard to call the Mark IV a reportage; its 7 frames per second during continuous shooting and the buffer for 21 RAW-frames are not enough for this. But for some reason I don’t want to drag him to a report - rather, build a composition in the frame, adjust the light, tell the model model ... Sorry, of course, we will shoot a still life.

Recall that at one time EOS 5D Mark II became the pioneer of professional video shooting on SLR cameras. Mark IV just got better: it can write video in 4K resolution with excellent sharpness and color rendition, although a memory card will need very fast for this. If we talk about image quality, then Canon will confidently argue in the hands of a professional with the Fujifilm GFX 50S camera presented this year, which is more than two times more expensive.

Finally, we recall that the camera in 2017 deservedly received the TIPA (Technical Image Press Association) award in the nomination “Best full-frame SLR camera”.

You should not chase megapixels, but sometimes they are necessary - when printing on large formats, the resolution of the source code is of great importance. But it will have to sacrifice the speed of work: these cameras are not suitable for fast continuous shooting. They can be compared to a single-barrel hunting rifle, while a professional “reporter” will become a semi-automatic with a large store: reach the target, aim, make a single accurate shot, rather than water the lead, hoping to hit the entire sector. The elements of the 50-megapixel EOS 5DSR are advertising studios, landscape and architectural photography, and in this it is really good. Pictures do not lose any detail in detail even when printing in A0 format - and this is no less than a square meter from a matrix of 24 * 36 mm!

The top-level matrix is ​​one in two versions (5DS and 5DSR), but it is in the 5DSR variant that it is deprived of a smoothing filter, which ensured excellent image sharpness. Noises at high ISO values ​​may seem a bit much, but again we recall that the camera was created primarily for photo studios with high-quality lighting, where there is no need to unscrew the photosensitivity. Two Digic 6 processors are responsible for image processing at once, so the camera does not suffer from “brakes”.

This brand was widely heard by Soviet photographers, although getting a real Pentaks back then was like flying to the moon: it was the Pentax K bayonet mount that was prescribed for the good old Zenits. But “Zenit” is long gone, and the Pentax K-1 is quite able to satisfy the photographer now.

For a long time, Pentax was an outsider in the market, not offering professional cameras with full-size arrays. Therefore, the presentation of the K-1 model in 2016 was really long-awaited, and the attention of critics was justified. And K-1 did not disappoint - 36.4 million effective pixels on a full-frame matrix will allow you to successfully prepare large-format images, the dual image stabilizer is the best fit for a compact camera, which is logical to use when shooting with hands and in motion. The swivel display and the ability to control from the tablet via Wi-Fi are also a topic here - it is not always possible to shoot using the viewfinder. Switching between autofocus and manual focus made from the lens to the body, and some menu items, usually hidden deep in the navigation, can be caused by a rotary switch on the camera - everything is oriented towards quick shooting. Directly in the viewfinder you can see indicators of the electronic level, allowing you to quickly set the horizontal: competitors do not have this solution either. Well, if you add a passport resource shutter of 300,000 frames ...

Pentax K-1 is the winner of the 2016 TIPA Award in the nomination "Best full-frame SLR camera."